We are swinging on the swing of our doubts, joining the game of searching for potential partners. This game between the sexes takes place in the format of a planet and stretches for millennia. While playing, a person often loses himself, forgets and erases his personality. He transforms his body, face, trying to be like famous people or accepted standards of beauty, masculinity. As a result, a lot of similar human copies are created, an illusion of a shop window emerges, where similar products are placed in dense vacuum plastic packaging. When a person who has forgotten his identity, is given to the will of love peripeteia, then he has a choice only among these plastic toys. Through this artwork i propose to play “in the games of the physical world” consciously.
All people are units of energy that have their own strength, their own identity. By understanding this, everyone can discover their own freedom.
The central static figure reflects the position of the observer outside bodily games, the position of a person seeking value in himself. In this context, the artist offers each visitor to consider this sculpture as their own self-portrait.
The Alexandra Weld Queen project includes 9 “transparent” sculptures, of which only one — the girl’s figure — is static, the rest are able to move. The kinetics of objects is due to the ability
of the viewer to manipulate them. Sculptures are based on the rocking chair principle. The whole installation is interactive, each viewer can enter the rocking object, sit down and start swinging.
The artwork was presented withing the framework of the personal Weld Queen’s exhibition at Fine Art Gallery in May 2019.
